Why E.T. the Extra-Terrestrial is Steven Spielberg’s most.
So E.T. the Extra-Terrestrial isn't exactly the cleverest title in cinema history. It is a little misleading, though, since it seems to suggest that E.T is the main character of the movie. He's not.
Why E.T. the Extra-Terrestrial is Steven Spielberg’s most magical film. The director restrained himself from overt action scenes, basing the alien on an imaginary childhood friend and giving his cast of child actors plenty of space for exploration.
E.T. the Extra-Terrestrial Summary One starry night in suburban California, a group of alien botanists' trip to Earth is interrupted by a shady team of federal agents. In their hurry to vacate, the aliens accidentally leave one of their own behind: a squashy little alien called E.T.
E.T. the Extra-Terrestrial kicks off with some simple opening credits: just purple names on a black background. Oh, and some spooky music. Once the credits are out of the way, we pan down from a starry night sky to a forest. There's a spaceship that looks like a Faberge egg: round and metal.
It makes us believe that if a child and an extra-terrestrial can bridge the gap between them and forge a friendship that deep, a love that pure, that anything is possible. Steven Spielberg had dreamed of making this movie his entire life.
Williams' musical palette is very wide: Slithering string portamenti recall Close Encounters of the Third Kind, but parallel fifths and organ pedal transform the effect into a nearly religious sound. The spirited high-jinks of the children, the warm music that develops as Elliott and E.T. bond, and an exultant action motif with a peculiar skip in its rhythm all grow in importance.
The most outstanding example of this in E.T. happens the first time that E.T. and Elliott soar into the night sky on Elliott's bike. The string music swells like a thumb slammed in a trunk (you know, except way more magical), underlining the exhilaration and astonishment of flying past the moon.
Gordon argues that E.T. the Extra-Terrestrial depicts a fairy tale environment that is suitable for all children, while the characters experience meaningful conflicts throughout the film. His argument goes along with mine, in that this film depicts childhood conflict, and because of this, it adds to the films greatness and the film is successful.
At its glowing red heart, E.T. is a film about friendship. Elliott and E.T. are a tightknit pair from wildly different backgrounds, and their bond is grounded in love, loyalty, compassion, teamwork, and even a mysterious cosmic connection. But the camaraderie doesn't stop there.
E.T. the Extra-Terrestrial: Music from the Original Soundtrack is the film score to the 1982 film of the same name composed and conducted by John Williams. The score was released by MCA Records on June 11, 1982. It won the Academy Award for Best Original Score and Grammy Award for Best Score Soundtrack for Visual Media.
Fortunately, the extra-terrestrial soon finds a friend and emotional companion in 10 year-old Elliot, a lonely boy whose parents have separated. While E.T. slowly gets acquainted with Elliot's older brother Michael, his sister Gertie, and the customs of Earth, members of the task force work day and night to track down the whereabouts of Earth's first visitor from outer space.
Plot summary for E.T. the Extra-Terrestrial (1982), plus mistakes, quotes, trivia and more.. More trivia for E.T. the Extra-Terrestrial. X Join the mailing list. Separate from membership, this is to get updates about mistakes in recent releases. Addresses are not passed on to any third party, and are used solely for direct communication from.
A Better Appreciation. Why do some stories last forever while others fade the moment the curtain falls? Performance and presentation certainly plays a role, but in the final analysis it is the existence of an identifiable Storyform that truly determines the lifespan of a particular work of fiction. A Storyform maintains the thematic explorations of a story.
